Tag Archives: Getty

Our exchange with Hugh Eakin at the NY Review of Books

The New York Review of Books has published our exchange with Hugh Eakin about his review of Chasing Aphrodite.

For those who haven’t followed the back and forth: Eakin reviewed the book in June’s NYROB. We posted our response here. The NYROB has now published an abbreviated version of that response with a final comment from Eakin.

We took issue with Eakin’s review, which we found “begrudgingly complimentary in several places, but also curiously littered with internal contradictions and a derisive tone that went unsupported by any argument of substance.” Eakin’s contortions appeared to be colored by his competing coverage of the Getty scandal for The New York Times and his sympathy for former Getty curator Marion True, who he had profiled in the New Yorker.

In Eakin’s final comment, he writes: “Let me be clear: there is nothing grudging about my admiration for their extraordinary revelations about the Getty Museum. Contrary to what they suggest, neither I nor any other reporter could compete with them because their information was, as I wrote, all their own.”

He goes on to cite several facts that he calls “contradictory” to our account of the controversial statue of Aphrodite, which was looted in Sicily and never seriously studied during its 22 years at the Getty. Rather than contradict our account (several of the facts he cites were, after all, first reported by us), they illustrate the contradiction between Marion True’s public and private persona. For example, Eakin cites two cases in which True professed to be open to scientific investigation of the statue’s origin. But he omits True’s statement to the Getty’s own attorneys that the purpose of these activities were “to keep the Carabinieri happy that we’re doing something.” (cited on p. 202 of Chasing Aphrodite)

As we said in our response to another True empathizer, sympathy for True’s plight is understandable, but should not blind us to the troubling complexities of her actions.

Eakin concludes his comment by noting, “The leaking of information to journalists places a burden on them to countercheck the claims being made.” We agree wholeheartedly, and spent the better part of five years seeking confirmation of and context for the leaked information we obtained. They offer a complex and multifaceted account that has not been contradicted. We wish Eakin had taken similar care to paint the whole picture.

We welcome your thoughts on the issues raised in this exchange. Feel free to chip in with a comment via the link below.

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“A story the Getty wants no one to know…”

 

In a new review, SAFE contributor Senta German describes Chasing Aphrodite as “a story the Getty wants no one to know…told from the inside out.”

“Jason Felch and Ralph Frammolino…have assembled an extraordinary array of sources with which they tell a story the Getty wants no one to know: how the museum knowingly purchased looted and fake antiquities, misled foreign governments in their attempts to reclaim stolen property, laundered stolen antiquities through an illegal tax scheme and adopted extraordinarily conservative acquisitions policies while at the same time actively buying from the illicit antiquities market.

“It is a story of the astounding mismanagement of opportunities, resources, human capital and global reputation. Put one way, it is confirmation of the worst many suspected about curatorial caprice and institutional duplicity. Put another way, if you’re interested in issues surrounding the illicit antiquities trade, collectors and the Classical world, you can’t put the book down….

“The documentation Chasing Aphrodite presents regarding just how much curators, general counsel, the museum director and CEO of the Getty trust knew about antiquities purchases is one of the most significant aspects of the book.”

For those who don’t know the organization, Saving Antiquities for Everyone (SAFE) is New York-based education and advocacy organization whose mission is to raise awareness about the damage that results from the illicit trade in antiquities. They organize lectures, tours and events on the subject, in addition to hosting a great blog.