In 1986, former J. Paul Getty Museum antiquities curator Marion True recommended the purchase of an attic cup from Edoardo Almagia, the antiquities dealer now under investigation by Italian authorities for allegedly trafficking in looted antiquities.
True was offered the red-figured cup attributed to the Marlay Painter in New York City, where Almagia was based, according to Getty spokesman Ron Hartwig. It was in fragments at the time. The board of trustees approved the purchase for $7,500, and the restored cup is now on display today at the Getty Villa.
The attic cup is not listed in the Getty’s online collection, but was published in the 1987 edition of the museum’s acquisition journal, shown at right. The journal lists the cup’s provenance as “New York art market.” Hartwig added that it “was said to have been bought in Switzerland, of Southern Italian origin.”
The cup is the only acquisition from Almagia in the Getty’s collection, Hartwig said.
The Metropolitan Museum of Art and the Princeton University Museum of Art have recently returned hundreds of objects and fragments purchased from Almagia, whose criminal investigation is on-going. Hartwig said Italian officials have not asked about the Getty’s cup.
Transparency check: Dallas, Tampa, the Met and now the Getty have all been forthcoming about their acquisitions from Almagia. We have not received a response to our Feb 3 inquiries to the San Antonio Museum of Art or the Indiana University Museum, where Almagia objects have also been traced. Princeton University has likewise not responded to our request for additional information about their recent return of dozens of objects to Italy. The Boston Museum of Fine Art says it is now compiling information about Almagia acquisitions for us.
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